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Robert McCall was an artist working in the 20th century, known more widely for his optimistic, impressive space art.

With murals gracing the walls of the Smithsonian’s National Air and Space Museum, NASA’s Johnson Space Center, Disney, and more, McCall’s art remains some of the finest artistic futurism, giving us a sense of what might come to pass in future decades.

His work blended an artistic vision with a forward-looking perspective on technology, space, and the future of humanity. He was renowned for his ability to visualize and artistically interpret the realm of space exploration, including fanciful aspects that engineers and planners hadn’t thought of yet.

His paintings and murals often depicted spacecraft, astronauts, and celestial scenes, with craft landing on Mars, and even floating cities and underwater habitats.

Take a look at some of our favorites of his below. For more on McCall, visit his estate’s website, which features galleries of his artwork.

Images Β© Copyright Robert McCall Studios.Β 

McCall’s work extended to the entertainment industry, where he contributed to the visual development of major science fiction films, including Stanley Kubrick’s “2001: A Space Odyssey”. That film remains one of the most beloved visions of outer space in film history.

His visions show an optimistic world (or worlds) where our future is bright and amazing things can happen.

The level of detail and scale in the artwork is impressive as well.

Entire floating cities are visualized, complete with rainbows in the background.

A NASA planetary landing looks not too unrealistic.

 

His work blended an artistic vision with a forward-looking perspective on technology, space, and the future of humanity.

 

McCall’s work inspired those that worked in the space industry, as well as the general public.

Greenhouses on Mars, anyone?

A wide array of things to unpack in this painting.

 

For more fascinating retro-futuristic art, check out posts here and here.Β 

We’ve always thought the work of a futurist is fascinating, predicting and helping to shape the look and feel of the future. Syd Mead was one of the most respected futurists in the field, someone turned to when films wanted to depict a future society or place. Most well known for his work on Blade Runner, Alien, and Tron, Mead had an effortless ability to craft new and exciting visions, as well as strange and scary dystopian ones. Blade Runner was definitely some of his most famous work, but he influenced dozens of other films, and was involved in automotive design as well as architecture. His work will be remembered for generations. He was 86 years old. Via Dezeen:

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I’ve called science fiction ‘reality ahead of schedule’

-Syd MeadΒ 

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Luigi Colani died this week at age 91, and with him, we’ve lost an idiosyncratic and fabulously unique design mind. His work spanned many decades and many industries, from automotive to aeronautical, to consumer goods, like cameras and other devices.

His characteristic ‘swoops’ and wildly futuristic forms will remain his touchstone, creating concepts that were often decades before their time. Some of them were rather….ungainly, shall we say, but nothing he designed was boring. And to us, that’s the sign of a great designer. Always pushing, sometimes failing, but never boring. Enjoy a look at some of his strange and wonderful designs below. Via Jalopnik and Dark Roasted Blend:

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β€œSoft shapes follow us through life. Nature does not make angles. Hips and bellies and breasts β€” all the best designers have to do with erotic shapes and fluidity of form.”

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This strange and alien-looking architecture is captured in surreal, gradated backgrounds by Spanish photographer and designer Al Mefer. The bulbous styles and quasi-futuristic forms of the buildings look unfamiliar, and while they certainly are earth-bound, the collection has been subtly tweaked to make them seem like they’ve been captured from an urban area of a different planet.

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Walking through the streets of Mars
I was blinded by their beauty
Though traveling the stars
Amazement was a duty
All these lands were of Ares just a fight
But the yellow hues of Venus
Like the paintings of a genius
Were of Aphrodite’s delight
Then in Jupiter’s dark night
Zeus’ dreams were set alight
Earth’s wars tore me apart
And Outer Space brought me a new life

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If you’ve visited (or live) in Tokyo, you know just how futuristic and expressive the architecture can be. It’s one of the world’s biggest cities, and one that fully has embraced the future, whether that future is one of expression and industry, or of pure form. Either way, photographerΒ Tom Blachford has done an excellent job showcasing that future, in a style that feels at home in the Blade Runner series. Blade Runner, the seminal film of the 1980s showcases a futuristic Los Angeles, dominated with enormous megastructures, buildings that felt more like systems than they did simply structures. Blachford’s series is entitledΒ Nihon Noir, and we feel it’s a great representation of Neo-futuristic style. Via Dezeen:

Tokyo's Blade Runner Architecture // Moss and FogA huge structure feeling very much like a set piece of Blade Runner

Tokyo's Blade Runner Architecture // Moss and FogA capsule hotel in Tokyo that would look as in place in 2049 as it would today.

Tokyo's Blade Runner Architecture // Moss and Fogblade-runner-tokyo-moss-and-fog-4The color and style of the photographs, taken at night, possess a certain emotional futurism.

Tokyo's Blade Runner Architecture // Moss and Fog

We love the futuristic form of this structure, which resembles the super pyramid of Blade Runner 2049.

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An organic gold sculpture atop a rooftop in Tokyo’s Nihon district.

Tokyo's Blade Runner Architecture // Moss and Fog

I’ve always been fascinated with designers who push limits far beyond the need of society. Designers with the courage, foolishness or brashness to buck the norm, and think and design without constraints. It’s these designers who inspire the designers that are more grounded in reality. Perhaps the nature of their absurd or far-fetched visions is the draw, but whatever the case, I’ve been an enormous fan of this “crazy bunch”.Β  Their work has inspired NASA to dream of colonies in space

Via Dark Roasted Blend, here is a collection of architectural renderings that push boundaries of physics, engineering, and imagination.


“Metropolis” helped to usher in a fantastic view of the future, way back in the 1920s. Though somewhat dystopian in its cold efficiency, Metropolis did indeed inspire legions of designers to imagine supercities, mass transit options, and an impressive future for architecture.




Lots and lots more after the jump.