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Teenage Engineering has a knack for turning music gear into delightful little art objects. Their newΒ EP-2350 Ting microphone continues that streak.

It’s not a studio mic. It’s a handheld vocal effects toy that encourages play.

Tilt it to stretch echoes, flip a lever to robotize your voice, tap buttons to fire off air horns and other samples. It weighs almost nothing and feels like something a space-age DJ would carry.

The Ting pairs naturally with theΒ EP-40 RiddimΒ sampler, loaded with dub and dancehall sounds curated by legends like King Jammy and Mad Professor. Build a beat, plug in the Ting, and instantly start performing.

The whole setup runs on batteries and fits in a small bag, yet it feels like a portable sound system ready for parties, parks, and late-night studio corners.

The audio is intentionally gritty. The workflow is intentionally fast. The spirit is all about joy. And in a smart move, Teenage Engineering is bundling the Ting for free with the Riddim, ensuring this little hype mic gets into the world where it belongs.

Sometimes creativity is best when it’s simple, immediate, and a little bit weird. The Ting gets that exactly right.

See more on Teenage Engineering’s website.

We all need a feel good story, and this is definitely that. During the pandemic lockdowns last year, 11-year old drumming whiz Nandi Bushell took to the internet to challenge her idol Dave Grohl of Foo Fighters to a drumming competition. Β After some initial hesitation, he accepted, and they began a back and forth of impressive drum-offs, each time Nandi proving her skill and tenacity.

Fast forward to this week, and Nandi was invited onstage to play with her favorite band, in front of a huge crowd in Los Angeles.

The young British girl did not fade in the spotlight. Indeed, she rocked, with the entire arena chanting “Nandi!”, and Dave Grohl playing alongside her to the song ‘Everlong’ as a concert finale.

Even if you’re not a Foo Fighters fan, the moment is exceptionally touching and inspiring, showing the power of music and connection. And for the record, Nandi kicked ass.

What’s more, her dad was filming the event onstage, and couldn’t control his emotion, whooping and screaming throughout her performance. In her video description she writes:

“It Happened!!! It was EPIC!!! Thank you so much @Foo Fighters Thank you to everyone who made it possible for me to jam with Mr. Grohl – Its my Daddy who filmed the video and is screaming a lot.”

Via 1440:

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Coachella has become a major destination, a music festival that is eclipsing all others. This year the festival has teamed up with artists Joanne Tatham and Tom O’SullivanΒ to create giant, colorful beasts that roam the grounds. The brightly painted monsters are gentle in demeanor, and have already been backdrop to countless selfies and concertgoer photos. In addition to the giant boxy beasts, Coachella’s art includes crazy house-like structures that involve psychedelic projection-mapping. Lots more to see on DesignBoom:

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Via FastCo Design:

Do you like lightning bolts? Then you’ve come to the right place, friend, because so does rock β€˜n’ roll. Just strap on Pantera’s 1994 Washburn 333 or Peter Cook’s 1975 Custom Bolt Bass, and you’re all set.

Such is one spec of gloriousness you’ll find inside Pop Chart Lab’s latest creation,Β A Visual Compendium of Guitars. It’s an archival print of 64 guitars illustrated from a 100-year history of rock β€˜n’ roll.

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β€œWe created a visual database for each guitar we chose and proceeded to dive into music history, spending a lot of time studying each one to make sure the details were exact,” art director Ben Gibson explains. β€œSome of these things have colorful, unclear provenances (especially the custom jobs) that needed to be verified through old music articles, photos, and the ever-passionate forum discourse of guitar geeks.”

Once the database of makes, models, and years was finalized, Pop Chart Lab designers began painstakingly reproducing each guitar from the ground up–that includes not just the shape but pickups, knobs, and inlay designs.

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The final collection begins with the relatively humble 1912 Jumbo Stella 12-String, played by folk and blues musician Lead Belly. And through the years, it highlights the freakshow spectacle that ensued. For every iconic edition of Stratocaster or Les Paul, there’s a fur-covered, bone-worshipping, siamese-quintuplet monstrosity of excess–the physical manifestation of the hyperbole of rock. Equally remarkable is how well the vintage designs have stood the test of time. A hundred years after the first telephone or car, neither product is all that recognizable. But the basic forms of acoustic and electric guitars have gone mostly unchanged. The Stratocaster has still got it.

A limited edition of 500 prints is available now. The 18″ x 24″ posters run $22 (jumping to $27 soon). A T-shirt version is just $16.

At first glance, this quirky music video by Eran Amir doesn’t really seem all that impressive, until you realize that it’s completely captured in camera, with no post-production colorizing. And then it’s like, “whoa. How’d they do that?”

 

Thanks to Colossal for the tip. And here’s the making-of video!

Pat Grossi is Active Child, and his swift rise to notoriety followed the 2011 release of his first album, This is All I See. I first heard it through an NPR interview last year, and was taken with the spare arrangement and hypnotic (if subtle) beats that carry his music along. Grossi traveled to Australia to film the music video for the single Johnny Belinda, an odd-named, but beautiful song sung in choral-falsetto. Shot by Dylan Wiehahn, the video is monumental in visual scope, capturing time-lapse storm clouds and the raw expansiveness of Australia’s east coast. Watch it below, or better yet, watch it in fullscreen HD to really feel the experience.


I’ve been a fan of the music coming out of Sweden for a number of years. Peter Bjorn and John, Jose Gonzalez, Robyn, Jens Lekman, Miike Snow, and the list goes on and on.

Lykke Li has been performing for many years, but her recent album Wounded Rhymes is particularly good, and very catchy.

Here is a video from the album called I Follow Rivers. Really nice acting throughout, a bit haunting, and emotional.

Ahh, the Internet. Where else could you dig up treasures like this?

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Hugo Keesing created Chartsweep, a tremendous amalgamation that takes 5 seconds of every #1 Chart-topping song since the 1950s. Served up in two installments, ending 1992(?), you will take a sprint down nostalgia road listening to these.

 


While not all that new of an internet meme, I do think there is some musical resonance in the area of music slowdown. Everyone from Justin Bieber to Mozart has ‘been slowed’.Β  Result is a very slow burn, a symphonic sound that can be really calming and oddly reassuring.Β  I think this particular cut works pretty well in the area of slllllllllllllllllooooooooooowwwwwwweeeedd music. Having John Williams’ strings slowed down a thousand percent makes for some really tranquil sound space. Take a listen, though this one song weighs in at just under one hour.

Jurassic Park Theme (1000% Slower) by birdfeeder

I am not a sanctioned music critic. I don’t have expert knowledge of obscure new releases, or thrive on finding the most underground acts. I do know what I like, and here’s a sampling of my favorite albums of 2010. Most of them have impacted me emotionally, resonating enough to be played over. And over. And over.

Junip | Fields

JΓ³nsi | Go

The Black Keys | Brothers

Gil Scott Heron | I'm New Here

The National | High Violet

Broken Bells | Broken Bells

Vampire Weekend | Contra

LCD Soundsystem | This is Happening