Skip to content

Adam Fuhrer Turns a Lens Flaw Into Glowing Line Art

Adam Fuhrer draws spheres, cubes and human figures in thousands of fine lines, then splits every line into red, green and blue on purpose.

By Moss & Fog2 min read
Adam Fuhrer's chromatic spheres: a sphere drawn in hundreds of fine contour lines on black, its red, green and blue edges split apart, with loose strands trailing below like a jellyfish
Chromatic spheres, 2026, by Adam Fuhrer

Every camera lens has a small flaw it would rather you didn’t notice.

Glass bends red, green and blue light by slightly different amounts, so along the sharp edge of a shape the three colors don’t quite land in the same place. You get a thin fringe of color. Photographers call it chromatic aberration, and lens makers spend a lot of money making it disappear.

Adam Fuhrer went looking for it on purpose. The artist and software engineer draws spheres, cubes, draped fabric and human figures out of thousands of fine lines, then pulls every line apart into its red, green and blue. The flaw becomes the whole picture.

Adam Fuhrer's chromatic spheres: a sphere drawn in hundreds of fine contour lines on black, its red, green and blue edges split apart, with loose strands trailing below like a jellyfish
Chromatic spheres, 2026

That one is our favorite. A perfect globe of contour lines comes undone at the bottom into loose, drifting strands, and it reads less like geometry and more like a jellyfish that wandered into a math textbook! The cube is a close second. Its top half holds together as a tidy wireframe while the bottom crumbles into falling pixels, as if someone hit print and walked away too soon.

Adam Fuhrer's chromatic cubes: a wireframe cube of tiny squares on black, its lower half crumbling into scattered pieces, every line fringed in red, green and blue
Chromatic cubes
Adam Fuhrer's chromatic fabric: thousands of fine lines draped and folded like a sheet of cloth on black, the folds edged in red, yellow and blue
Chromatic fabric

The work makes more sense once you know where Fuhrer started. Hundreds of his pieces are pen plots, drawings made by a machine dragging a real pen across real paper, and these new ones keep the plotter’s habits. Each form is built from one kind of line, repeated over and over until a shape appears. Then they add the one thing a pen can’t do, which is glow. Written in JavaScript and finished as vector drawings, they live on a black screen, where the split colors shimmer like the edge of an old projector slightly out of focus.

“Photographers call it chromatic aberration, and lens makers spend a lot of money making it disappear.“

The Moss & Fog ShopObjects we would actually keep.Home goods, prints, books and outdoor gear, chosen the way we choose pictures: because they are good.Visit the shopMax mugs · $70 $56Benson tray · $17.50Pocket Terrarium · $11
Adam Fuhrer's chromatic silhouettes: a standing human figure built from rippling horizontal waves, each line split into red, green and blue on black
Chromatic silhouettes
Adam Fuhrer's chromatic sine waves: rows of dashed lines that bulge outward to trace a human head in profile, every dash split into red, green and blue on black
Chromatic sine waves

The figures are the quiet surprise. A person made only of wobbling sine waves somehow has posture. A face appears out of nothing but rows of dashes that bulge where a nose and lips should be. Your eye does most of the work, and it’s a little unsettling how willingly it does.

Adam Fuhrer's chromatic perspective: stacked horizontal bars receding toward a vanishing point, split into bands of red, green, blue and white on black
Chromatic perspective, 2026

Narrowing it down was hard for us too, so here are six more. Swipe or use the arrows.

More than 80 works carry the chromatic aberration tag on Fuhrer's site so far, and the series is still growing. He shares new pieces on Instagram too. For more art that bends how we see, wander through our guide to the most extraordinary paintings and illustrations.

All images by Adam Fuhrer. Via kottke.org.

By Moss & Fog Staff

Enjoying the wander?

Our best stories on design, nature and architecture, plus Fog Signals, our weekly letter of favorite finds. Free, and easy to leave anytime.

Keep reading

Enjoying the wander?

Our best stories on design, nature and architecture, plus Fog Signals, our weekly letter of favorite finds. Free, and easy to leave anytime.

Keep reading