Skip to content

Fredrik Raddum Ties His Sculptures in Knots

Fredrik Raddum ties his painted figures in knots. His new Copenhagen show, Arme og Ben, finds the joke hiding between Danish and Norwegian.

By Moss & Fog3 min read
Fredrik Raddum sculpture of a blonde woman in a pink top and teal trousers, eyes closed, one leg tied in a loose knot below the knee
Fredrik Raddum, Arme og Ben. Courtesy of Hans Alf Gallery

Fredrik Raddum has tied a woman’s leg in a knot. A real one, just below the knee, and she stands there with her chin up and her eyes shut like it happens every Tuesday.

The Norwegian sculptor’s new show, Arme og Ben (Arms and Legs), is at Hans Alf Gallery in Copenhagen, and almost every body in it has stopped cooperating. Small figures stand on plinths with an arm or a leg tied off. On the walls, arms, legs, hands and feet are braided into tight clumps, toes poking out of the weave.

Fredrik Raddum wall relief of brown arms, legs, hands and feet woven into a single knot against a white wall
One knot, many limbs. Courtesy of Hans Alf Gallery

One title, two countries

The best joke is in the name. In Danish, doing something with arms and legs means going all in. In Norwegian, the same phrase means a pile of limbs, a mess.

A Norwegian artist, a Danish gallery, and a roomful of sculptures that mean both at once.

In DanishAll in. Whole body, full effort.

In NorwegianA tangle. Limbs everywhere, nobody in charge.

A row of small painted Fredrik Raddum figures on gray pedestals leads down a long white gallery, with a man in black facing the window
Arme og Ben, installation view. Courtesy of Hans Alf Gallery

The knots we carry

Raddum’s people wear their knots calmly. Nobody panics, and nobody tries to untie anything. A bronze man in red shoes tips his head back like his bus is very late.

The bodies are cartoon simple and brightly painted, so the problem has nowhere to hide.

Two Fredrik Raddum figures side by side, one painted yellow and blue and one in dark bronze with red shoes, each with a leg tied in a knot and head tipped back
Same knot, two finishes. Courtesy of Hans Alf Gallery

Tangled Couple hold each other so tightly you lose track of whose arms are whose. Embrace or wrestling hold? We changed our minds three times.

Fredrik Raddum sculpture of a couple tangled together, his arms crossed around her and her leg looped through his, both with eyes closed
Two figures, one knot. Courtesy of Hans Alf Gallery

And then, a bird

An enormous bird stands on the gallery floor with a ghost costume in its beak, the empty sheet hanging limp.

The gallery reads it as the ghosts we try to hide. We read it as Halloween, settled: someone got unmasked, and whoever was under there got away!

Detail of Fredrik Raddum's giant bird, its glossy black eye and beak clamped on an empty blue ghost sheet, with a knotted limb sculpture on the wall behind
Nobody home. Courtesy of Hans Alf Gallery

Funny first, serious second

Raddum, born in 1973, lives and works in Oslo and has been exhibiting since 1999. His work is in the Statens Museum for Kunst and ARoS, and his 2024 show was called Lint in the Navel of the World, which might be our favorite exhibition title in years!

The method holds: it looks like a cartoon, then won’t let you off the hook. This time the color comes roaring back. Our one gripe is scale. In the room the small figures get lost, so get close.

See it

Arme og Ben runs through November 24, 2026 at Hans Alf Gallery, Holbergsgade 8, Copenhagen. The gallery has shown Raddum for over a decade and is the place to ask about collecting a piece. New work turns up on Instagram at @fredradd.

More like this: the most surreal art we’ve featured, Alex Chinneck’s bent buildings and giant walking sneaker-legs.

Via Inspiration Grid. Photos courtesy of Hans Alf Gallery.

By Moss & Fog Staff

Enjoying the wander?

Our best stories on design, nature and architecture, plus Fog Signals, our weekly letter of favorite finds. Free, and easy to leave anytime.

Keep reading