Mirrored Geometric Animals by Arran Gregory
Via Colossal:

Magazine feature spread announcing Arran Gregory's mirrored geometric animal sculptures, laid out with faceted wolf-head imagery

Every so often an image comes along that stops the scroll cold, and Arran Gregory’s mirrored wolf is exactly that kind of image. At first glance it reads like a classic hunting-lodge trophy – the silhouette, the mounting board, the proud tilt of the head are all there. Then the eye adjusts and the fur resolves into hundreds of small mirrored facets, each one catching light at a slightly different angle, and the whole familiar object tips over into something uncanny and strange. It is taxidermy with its skin swapped for a thousand tiny mirrors, and it is one of those pieces of contemporary sculpture that photographs beautifully and somehow still undersells how good it is in person.

The sculpture is the work of London-based sculptor and illustrator Arran Gregory, who unveiled the wolf – alongside a faceted rhinoceros head cast from the same mirror-mosaic technique – as the centerpiece of his solo show ‘WOLF’ at Print House Gallery in London, running through September 6th alongside a series of his illustrations. Gregory builds each animal form first, then applies a dense mosaic of cut mirror shards across the surface by hand, panel by panel, until the geometry of the faceting reads as its own kind of fur – sharp, crystalline, and endlessly reflective of whatever room the piece happens to sit in.

That faceted logic is what gives the work its charge. Where a real taxidermy mount asks you to look at an animal, Gregory’s mirrored heads ask you to look at the room around the animal – and at yourself, fractured into dozens of small reflected fragments across the wolf’s muzzle and ears. It is a technique with an obvious kinship to the faceted picture planes of Cubism, translated from canvas into three dimensions and dressed up as a hunting trophy – equal parts homage to and rebellion against the taxidermy tradition it borrows its silhouette from. The effect sits somewhere between design object and sculpture, which is exactly the territory product and object design at its most inventive tends to occupy.

Below are the wolf sculptures from that Print House Gallery installation, photographed by Ravi Sidhu and Tida Finch – each angle catching a different pattern of light across the faceted surface, no two frames quite alike.

Faux-taxidermy wolf head by Arran Gregory covered entirely in hand-cut mirrored facets, mounted on a plaque and reflecting the gallery around it

Close-up of the mirrored wolf sculpture's faceted snout, showing the geometric mosaic of small mirror shards catching light at different angles

Side profile of Arran Gregory's mirrored wolf head sculpture, its faceted ear and jawline outlined against a plain gallery wall

Detail view of the mirrored wolf sculpture's eye and brow, where faceted mirror panels curve to suggest fur texture and expression

Wide shot of the mirrored wolf trophy mount hung on a gallery wall, its faceted surface reflecting fragments of the surrounding room

Three-quarter view of Arran Gregory's faceted mirror wolf sculpture, light scattering unevenly across its geometric mosaic surface

Arran Gregory is a London-based sculptor and illustrator. He recently opened a solo show entitled ‘WOLF’ at Print House Gallery in London. The exhibition, which runs through September 6th, includes both illustrations and a pair of gorgeous faux-taxidermy animals including a wolf and rhinoceros head sculpted from mirrors. You can see much more on his Tumblr and a number of prints are available in his shop. Photos above by Ravi Sidhu and Tida Finch. (via fancy)

Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

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