Time as if it’s already cracked.
His Brushstrokes in Time series starts with a recognizable world: a rain-slicked city street, a desert at dusk, a cobblestone bridge catching early light.
Then a thick, sculptural stroke of oil paint tears across the canvas, splitting the scene open.

Behind it, or within it, a different era bleeds through. The brushstroke is at once a mark of the artist’s hand and a rupture in history.
What makes these paintings land isn’t the concept alone. It’s the specificity of the collision. Ambarzumjan isn’t just juxtaposing old and new, he’s questioning what connects them and what the hand that changed everything actually leaves behind.

His stated intent is to explore how nature’s transformation over time tracks against humanity’s influence. That framing keeps each piece tethered to something real, even as the imagery tips toward the surreal.

The work lives in that gap between documentation and imagination. Oil paint doing what photography can’t.
See more at david-ambarzumjan.com and on Instagram.
















Images © Copyright David Ambarzumjan.
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