The packet in your pantry that makes bread rise has just been printed into a wall.

At Chalmers University of Technology in Gothenburg, a team of architects and chemists has built a bio-based material around heat-deactivated baker’s yeast. The yeast isn’t fermenting anything here. It is the biomass, the actual body of the material.

Chalmers University of Technology | Henrik Sandsjö

The recipe

Yeast, killed with heat, gets blended with cellulose fibres for tensile strength, algae-derived alginate to hold its dimensions, plant-based glycerol to keep it supple, and water. The result is a hydrogel smooth enough to push through a nozzle. A robotic arm prints it at room temperature using nothing but air pressure. No heating, no support scaffolding, no waste. It dries into its final shape on its own.

Nothing is pigmented. The colors, running from pale cream through amber to a deep, almost leathery brown, are the yeast’s own. Dial the glycerol up or down and the dried panel shifts from rigid to unexpectedly flexible.

Change the print path and you change the density, the porosity, and how much daylight makes it through.

That is where the team sees it living first. Room dividers, screens, partitions, panels that filter light and soften a room’s thermal swing. Not structure. Atmosphere.

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Built to fall apart

The genuinely radical part is that this material is designed to disappear.

Printed at room temperature using air pressure. No energy-intensive heating, no support structures, no waste

Construction has spent a century equating permanence with quality. Concrete, steel, glass, all of it built to outlive us, and all of it sitting in landfill long after the buildings come down. Chalmers is making the opposite case, that a finite lifespan is not a compromise but a design decision, and that a surface which darkens, ages, and eventually returns to the ground might be the point rather than the problem.

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It is an idea that has been quietly spreading for years, from handbags grown from mycelium to a sneaker engineered to compost. What is new is the scale of the ambition. This is not an accessory. It is architecture.

The dried panel retains flexibility 

Plenty is still unsolved. Fire performance, moisture resistance at scale, whether any of this can be printed large enough to matter. The team is chasing stranger possibilities too, panels that heal themselves and surfaces that clean the air around them.

For now it is a set of amber-toned, light-catching objects grown from something you can buy at the grocery store, and left with permission to decay. The research was published in Frontiers of Architectural Research.

Research by Yagmur Bektas, Malgorzata Zboinska, Cecilia Geijer, Tiina Nypelö and Zeinab Hefny (Aalto University). Photography by Henrik Sandsjö, Chalmers University of Technology. Via urdesignmag.

By Moss & Fog Staff

Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

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