Iranian artist Mohammad Hassan Forouzanfar imagines Persepolis through a contemporary lens, inserting spare geometric frames into the ancient ruins as if history were being carefully re-edited in real time.


The result is both quiet and striking: a dialogue between permanence and impermanence, where one of the world’s most storied archaeological sites feels newly suspended between past and future.


At Persepolis, the past is not restored so much as recontextualized.
In Mohammad Hassan Forouzanfar’s conceptual series, delicate modern frames are digitally placed within the ancient Iranian ruins, introducing a quiet but provocative contrast between minimal contemporary form and one of history’s most monumental archaeological sites.



Part of his broader Retrofuturism practice, the work treats Persepolis not as a static relic, but as a living meditation on memory, loss, and the ways architecture continues to accumulate meaning across time.








Images © Mohammad Hassan Forouzanfar.

1 Comment
That is disgusting!