Some people are funny. Some people are unforgettable. Catherine O’Hara somehow managed to be both, at the same time, for nearly fifty years.

She died at 71 after a brief illness, leaving behind a career filled with moments of true charm, hilarity, and wit.

Catherine had a rare skill. She could play someone completely absurd and still make them human. The panicked mom in Home Alone screaming for Kevin was pure chaos, but it was also pure love.

You felt her stress in your bones. Holiday movies have tried for decades to bottle that feeling again. Good luck with that.

Custom image by Ana Nieves

Then there was Moira Rose in Schitt’s Creek, a character who dressed like a glamorous art project and spoke like a thesaurus had learned sarcasm. It should have been too much. Instead, it was perfect.

Under the wigs and strange vowels was a woman trying, failing, loving her family, and holding onto dignity with freshly manicured fingertips. Catherine made Moira ridiculous, yes, but also weirdly brave. That performance alone could have defined a career. For her, it was just another stop.

“Her characters were never jokes. They were people, just turned up a few notches past normal. Watching her felt like being in on something.

A woman in a shimmering, fringed gown smiling at the camera.
Via CBC

Long before that, she helped shape modern comedy on SCTV, building characters from scratch and never blinking at how strange they got. In Beetlejuice, as Delia Deetz, she turned avant garde pretension into an art form of its own. You laughed at her. Then, somehow, you liked her. That was the trick Catherine always pulled off.

A woman in a stylish white and black dress with dramatic sleeves, wearing bold jewelry, standing at an entrance and smiling confidently.
Via CBC

What made her special was not just timing or talent. It was warmth. Even at her most over the top, there was a softness underneath.

Her characters were never jokes. They were people, just turned up a few notches past normal. Watching her felt like being in on something. Like she was quietly saying, Yes, life is ridiculous, but we are in this together.

Black and white portrait of a woman with wavy hair, wearing a light-colored blouse and earrings, looking directly at the camera.

She leaves behind her husband and children, and a body of work that will keep surprising new audiences who stumble onto her for the first time and wonder where she has been all their lives.

The rest of us know. She was right there, hiding in plain sight, stealing scenes, making everything better.

Thank you, Catherine, for the chaos, the heart, and the reminder that being a little strange is often the most honest way to be human.


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Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

6 Comments

  1. Pingback: Celebrating Catherine O’Hara’s Life and Career in Comedy - KillBait Archive

  2. Catherine O’Hara was a unique force, the Betty Davis of comedy. I am so glad she gave us so many wonderful characters. And my heart is heavy for Eugene Levy. From SCTV to Best In Show to Schitt’s Creek, she was his perfect foil. Thank you for all the laughs, Catherine.

  3. Barbara Bloch

    This was a beautiful eulogy. Her performance in Schitt’s Creek was so relatable. I identified with Catherine’s Moira. I wanted to be her. My friends and I argued which of us could be Moira. Such fun and heart. She will be missed. Very sad.

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