Low-poly art had a moment in the early 2010s before fading into background noise — a victim of overexposure. Timothy J. Reynolds is one of the artists who elevated it beyond a passing style into something with genuine staying power. His faceted animals aren’t geometric exercises; they have personality and warmth that most flat design never quite manages. Years later, these pieces hold up in a way that a lot of era-defining digital art simply doesn’t.

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Loving these geometric, faceted creatures (and scenes) by artist Timothy J. Reynolds. His work is for sale on Society6 as prints, pillows, phone cases and more. Can’t get enough of that Woolly Mammoth!
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Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

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