Moai statues buried to their shoulders stand on the grassy slope of Rano Raraku on Rapa Nui
The quarry slope of Rano Raraku, where moai still stand buried to their shoulders. Photo by Frank Kehren.

This post began with a book. After finishing Aku Aku, Thor Heyerdahl’s bestselling account of his 1950s expedition, it is hard not to feel the pull of Easter Island, or Rapa Nui, the name its people use. A speck of volcanic land more than 2,000 miles off the coast of Chile, it is one of the most remote inhabited places on Earth, and it holds one of humanity’s most astonishing sculptural achievements.

Nearly 1,000 moai have been documented across the island, most of them carved between roughly 1250 and 1500 CE. Working with hand held basalt picks, no metal and no wheels, Rapa Nui carvers cut each figure from volcanic tuff, then moved statues weighing tens of tons across miles of rugged terrain to stand on ceremonial platforms called ahu. Early visitors treated this as an unsolvable riddle. It was never a riddle. It was engineering, organization, and belief, sustained over centuries by a Polynesian society working at the far edge of the map.

Carved from the Slopes of Rano Raraku

Almost every moai was born in one place, the crater of Rano Raraku, whose compressed volcanic ash carves more easily than hard basalt. Close to 400 statues remain there today in every stage of completion, some still attached to the bedrock, others standing upright on the slope where centuries of sediment have buried them to the shoulders. The famous brooding heads are not heads at all. Full torsos wait underground, hidden the way an iceberg hides its mass. Many finished moai also wore pukao, cylindrical topknots of red scoria quarried across the island at Puna Pau and somehow raised more than thirty feet into place.

William Hodges' 1775 painting of standing moai crowned with red topknots under a stormy Rapa Nui sky
William Hodges’ painting from 1775 shows the statues upright on their ahu, red pukao topknots still in place.

What Thor Heyerdahl’s Excavations Revealed

Heyerdahl led a major expedition to Rapa Nui in 1955 and 1956, and his team’s excavations at Rano Raraku produced one of archaeology’s great reveals. Digging beside the half buried heads, they uncovered complete bodies extending far below the surface, with carved hands, fingers, and tattoo like designs preserved under the soil. Not all of his ideas aged as well. Heyerdahl argued the islanders had South American origins, while archaeology and genetics have since confirmed the Rapa Nui are Polynesian voyagers who settled the island by canoe. Even so, Aku Aku remains a gripping read, and modern experiments have backed the islanders’ own oral tradition that the moai walked, rocked forward upright by small teams pulling ropes.

Thor Heyerdahl reaches up to touch the buried torso of an excavated moai deep in an earthen pit
Heyerdahl with an excavated moai, its full torso revealed far below the surface.
A smiling Thor Heyerdahl stands with hands on hips before a moai on the slope of Rano Raraku
Thor Heyerdahl on a return trip to Rapa Nui.

A Living Culture and a Fragile Heritage

Rapa Nui is no lost civilization. Thousands of Rapa Nui people live on the island today, the Indigenous community co-manages Rapa Nui National Park, a UNESCO World Heritage Site since 1995, and the culture fills the streets every February during the Tapati festival. The moai are ancestors, not props, which is why visitors are asked never to touch or climb them. That heritage is also fragile. In October 2022 a wildfire swept across Rano Raraku and charred a number of moai, damage that conservators say can never be fully undone, and a reminder of how much care this place deserves.

Fifteen moai stand in a row on the restored Ahu Tongariki platform against the deep blue Pacific
The fifteen restored moai of Ahu Tongariki, the largest ahu on the island. Photo by David Berkowitz.

Standing before Ahu Tongariki at sunrise sits high on our list of the most beautiful places on Earth, the kind of scene that rearranges your sense of scale. For more far flung journeys and natural wonders, spend some time in our travel section.

Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

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