Six years ago, renderings of the Shanghai Grand Opera House stopped us cold.

A huge spiral roof pulled from the form of a Chinese folding fan, set on the east bank of the Huangpu River. We covered it then. Now it’s built, and the doors are open.

Snøhetta designed it alongside the East China Architectural Design and Research Institute.

At 146,000 square meters, it’s one of the largest performing arts complexes in China, though the number undersells it.

The roof is the thing. It spirals outward like a fan caught mid-motion, and you can walk it. No ticket required. Views of the river, views of Shanghai. That kind of access is baked into Snøhetta’s DNA.

Inside: four performance spaces, each with its own character. The Soar Theater, Grand Atelier, Open Stage, and Harmony Hall.

Harmony Hall is the technical centerpiece, with roughly 3,500 square meters of stage floor and a six-grid configuration that lets productions move in and out fast. It may be Asia’s largest stage system.

The building also holds galleries, rehearsal studios, libraries, screening rooms, restaurants, and public terraces.

You don’t need a show to justify the visit. The complex is the destination.

Construction wrapped in late June. Programming is coming. Completely worth the wait.


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Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

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