Over the past decade, the Australian artist has worked directly on real structures across the US, New Zealand, Australia, and Poland. Cutting into facades.
Flooding rooms with light.
Painting oversized symbols across cladding.
Coating whole buildings in black.
The house that once meant safety now means something else entirely.
Ian Strange isn’t eulogizing suburbia. He’s cross-examining it. What did it promise? What did it hide?
What’s left when the facade comes off? Each intervention becomes a photograph, a film, a record. The house is the evidence itself.
His monograph Disturbed Home, published by Damiani Editore, is the full case file.
More at ianstrange.com.
Images © Copyright Ian Strange. See more on his website.
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