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Installation art

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Echoing some of Christo’s most visually impactful art installations, SpY has transformed Ghent University’s Aula Academia into an illuminated spiky creation.

Using an impressive 11,984 illuminated traffic cones, the main neoclassical columns have been festooned to transform them into something dramatic, eye catching, and wild.

It’s a fascinating juxtaposition, pairing classic architecture and smooth stone with something bright, plastic, and more symbolic of caution, or construction.

Via UrDesign:

The cones are cleverly positioned like puzzle pieces to completely cover the columns. The addition of lighting really transform the entire installation into a marvel to behold.

Simply named CONES, the installation is part of a larger light festival that includes Charles PΓ©tillon, Benedikt Tolar, Atelier Sisu, and more.

“β€œCones” is a site-specific installation of hundreds of traffic cones wrapped around the front columns of the Aula Academica at Ghent University. The intervention alters the building’s assumed solemnity through an unconventional and thornily subversive aesthetic re-envisioning of its front.

Working from the appropriation of an everyday urban element, the piece takes over the building to create unexpected and intrusive, yet playful encounters for viewers. During the night the cones glow, adding a layer of transformation to the experience of the street space.”

This elegant, arching and swooping light sculpture was part of the 2020 Taiwan Lantern Festival. Entitled β€˜The Search of the Glow’, the sculpture is made of bent wood and LEDs, creating a cocoon-like feeling that is much more than a sum of its parts.

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Created by Ling-Li Tseng in collaboration with Serendipity Studio, we appreciate the minimalism in form, making a single orb from a distance. But walking up to and into the structure presents a much more nuanced, complex experience. Β Placed within a wooded setting, the orb comes alive in wondrous ways.

See more on Colossal:

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Though this project was proposed before the onset of the global pandemic, it’s even more fitting and impactful today. A series of neon signs on the way up the slope spells out the phrase ‘We are in this together’. Created by Tavares Strachan, the project isΒ simple yetΒ impactful, visible from aΒ gondola andΒ the air.

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This art installation by Klaus LittmanΒ is a dramatic, stadium-filling piece, filling a full-size football stadium with over 300 large trees. Entitled β€œFOR FOREST – The Unending Attraction of Nature”, the work reflects on the the way nature is so subjugated these days that it’s almost an arena spectacle, something for our attraction, versus a part of ourselves. It’s both sobering and inspiring, we’re sure it’d be impressive to view the strangeness of a forest within a stadium in person. On display now until October 27, 2019. Via Colossal:

 

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Littman’s work is inspired by the work of Max Peintner, specifically Β β€œThe Unending Attraction of Nature” (1970/1971) which had a very similar tone.

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Wonderful surrealist art installations by Rune Guneriussen in his native Norway.

Like a bizarro-twist on Andy Goldsworthy,Β Rune Guneriussen takes manmade lamps and other objects, and creates surreal and elaborate installations with them, in the forests and landscapes of his home of Norway. Β The seemingly random and strange installations belie the effort and patience of assembling these art pieces. Imagine walking in the forest and coming upon a flock of lit desk lamps – it’d be a magical and surreal experience. We love the way the light plays with the scene, creating warm, inviting spaces in what otherwise are cold and empty places. Really fascinating work, via Colossal:Β 

Wonderful surrealist art installations by Rune Guneriussen in his native Norway. RuneGuneriussen17_03RuneGuneriussen17_04

We’d love to know the process of his work, and the laborious task of setting up and lighting these far-flung installations.

RuneGuneriussen17_05Wonderful surrealist art installations by Rune Guneriussen in his native Norway. RuneGuneriussen17_07RuneGuneriussen17_08RuneGuneriussen17_10

In some of his installations, the objects appear to be squaring-off, with personalities all their own.

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A very festive installation in the snow with ornate lamps climbing the tree.

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Ever wonder what a famous artist has for brunch? KyleΒ Bean has a series of strange and funny pieces, referencing famous artists and artisans, and their style of work. Bean has collaborated withΒ photographer Aaron Tilley and food stylist Lucy-Ruth Hathaway to create this inventive and creative series of brunch photos. See below for their references. Β Via DesignBoom:

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Alexander Calder’s mobiles, in brunch form
Yayoi Kusama’s famous dots
Yayoi Kusama’s famous dots
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Cornelia Parker inspired hanging items
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Damien Hirst’s famous formaldehyde boxes
Salvador Dali inspired eggs
Salvador Dali inspired eggs

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FastCo Design has a look at some of Katharina Grosse’s installation art. It’s fair to call it hideous, fair to call it bizarre, but it sure ain’t boring. The installations are huge and bright and intense, and I’m pretty sure they are much more impressive in person than in photos.

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Artists Andrew Neyer and Andy J. Miller have a cute and fun art installation at the Indianapolis Museum of Contemporary Art.

The giant markers are a fantastic touch, and lend a playful awkwardness to the interactivity.



United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

Via Colossal:

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

United States Map Made from Thousands of Wood Matches by Claire Fontaine  United States multiples matches maps installation fire

U.S.A. (burnt/unburnt)Β is a 2011 installation by Paris-based artistΒ Claire FontaineΒ constructed from thousands of green matches that were inserted into a wall at theΒ Portland Institute for Contemporary ArtΒ as part art of β€œEvidence of Bricks” at theΒ 2011 Time-Based Art Festival. Fontaine has made somewhat of a name for herself with herΒ match installationsΒ andΒ flamingΒ geography, most recently completing a similar U.S.A. map atΒ Queens Nails GalleryΒ in San Francisco. Unlike the installation in Portland above, the Queens Nails artwork was actually set on fire, and while it may not have gone exactly as intended, the final post-flame artwork isΒ impressive nonetheless. Photographs above for PICA byΒ Dan Kvitka.

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Via Colossal, some excellent colored thread installations from Texas artist Gabriel Dawe.
Colored Thread Installations by Gabriel Dawe thread installation color

Colored Thread Installations by Gabriel Dawe thread installation color

Colored Thread Installations by Gabriel Dawe thread installation color

Colored Thread Installations by Gabriel Dawe thread installation color

Colored Thread Installations by Gabriel Dawe thread installation color

Colored Thread Installations by Gabriel Dawe thread installation color

Colored Thread Installations by Gabriel Dawe thread installation color

Colored Thread Installations by Gabriel Dawe thread installation color

Dallas-based artistΒ Gabriel DaweΒ (previouslyΒ hereΒ andΒ here) creates colorful site-specific installations using bright gradients of suspended thread. Above is a small selection of his work over the past year as part of hisΒ PlexusΒ series. Despite the geometric precision in each installation, it’s fascinating to see how some works become sort of amorphous clouds of floating color, and I’m sure seeing these on a computer screen hardly compares to seeing them up close. See much more on hisΒ website.