New York’s skyline is so dense, so relentlessly vertical, that even its most famous silhouettes start to blur into the crowd. Artist and photographer Anton Repponen wondered what would happen if you lifted one out entirely — took a landmark from its native tangle of scaffolding, taxis, and passersby and set it down somewhere with nothing around it at all.

The result is Misplaced New York, a photographic series by Anton Repponen that relocates eight of Manhattan’s most recognizable buildings — captured in-camera, no AI involved — into empty deserts, cracked mud flats, and lunar-looking plains.

“New York City landmarks have been misplaced, their current location unknown. Photographs of unclear origin appear to show them scattered across the globe — on sand dunes, mud flats, ‘lunar’ plains, and rocky beaches. Nobody knows exactly what happened or why.”

Anton Repponen, Misplaced New York

Metropolitan Opera

The Metropolitan Opera's arched glass facade standing alone on a windswept desert dune, its familiar Lincoln Center plaza nowhere in sight.
The Metropolitan Opera, alone on the dunes.

Chrysler Building

The Chrysler Building's Art Deco spire rising incongruously from a flat, sunbaked desert plain, dwarfing the empty landscape around it.
The Chrysler Building, adrift in the desert.

Guggenheim Museum

The Guggenheim Museum's spiraling white form marooned on a cracked desert flat, its curves echoing the ripples of sand nearby.
The Guggenheim Museum, marooned on cracked earth.
The Moss & Fog ShopThe Design EditGood design, small enough to gift.Trays, tools, books and desk things with the kind of design we love writing about.Shop design giftsSapele Balance Stones$7921% offAccidentally Wes Anderso…$16.99 $13.5015% offOrganic Cotton Tea Towel$20 $17

Whitney Museum

The Whitney Museum's angular steel-and-glass form isolated on barren ground beneath an empty horizon.
The Whitney Museum, isolated on barren ground.

United Nations Headquarters

The United Nations Headquarters' glass slab tower standing solitary on a desolate plain, its curtain wall catching flat, even desert light.
The United Nations Headquarters, alone on a desolate plain.

8 Spruce Street

Frank Gehry's rippling 8 Spruce Street tower rising alone from stark, rocky terrain, its folded facade catching the light like drapery.
8 Spruce Street, rising from rocky terrain.

IAC Building

The IAC Building's sail-like glass panels perched on empty desert ground, glowing white against the barren backdrop.
The IAC Building, glowing against the barren backdrop.

Cooper Union

The Cooper Union's dark, perforated steel facade standing isolated on a rocky plain, its geometry stark against the empty terrain.
The Cooper Union, stark against the rocks.

See the full project at misplaced.design, and more of Anton Repponen’s work at repponen.com.


More surreal architecture on Moss & Fog: the Gaudí skyscraper New York never built, and the utterly minimal Ribbon Chapel.

Edited by Ben VanderVeen · About Moss & Fog

A Moss & Fog transmissionThe future is not what it used to be.Chrome rockets, glass-domed dinner parties, the tomorrow we were promised.Tune in
Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

2 Comments

  1. Gayle C Robinson

    You continue to send amazing stuff!

What's your take?

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Discover more from Moss and Fog

Subscribe now to keep reading and get access to the full archive.

Continue reading