Skittles is, in almost every way, an American brand. The Super Bowl ads. The aggressive neon. The sheer cheerful loudness of it. And yet: Skittles was invented in Britain. Named after a British lawn game. Spent its first five years quietly selling across the UK before anyone thought to bring it to America.

A set of vintage wooden bowling pins in red and natural wood colors, arranged in a triangle on a white surface, with a brown bowling ball positioned in front of them.
The British lawn game of Skittles.

This is either a great irony or a perfect origin story, depending on how you look at it.

From Lawn Game to Candy Bag

Historic illustration of a skittles game outdoors, featuring players rolling a ball towards skittles while spectators observe, with a church in the background.

The candy appeared commercially in 1974. The name came from skittles, an old British pin game similar to bowling, a connection that has never been satisfactorily explained and that the company doesn’t seem particularly interested in clarifying.

Five years later, in 1979, Skittles crossed the Atlantic and hit American shelves. By 1982, the Wrigley Company had licensed production and distribution rights in North America, and the industrial-scale rainbow era began.

An illustrated advertisement featuring Skittles candy packages among colorful candy pieces, with a cartoon character painting a canvas that depicts Skittles and a fruit bowl, accompanied by humor about Van Gogh's style.
Vintage Skittles ad

The Color That Started a War

The formula is simple: chewy center, candy shell, fruit flavor coded by color. Red is strawberry. Orange is orange. Yellow is lemon. And green — for decades, for most of the candy’s life — was lime.

In 2013, Mars switched green to green apple. The response was not measured. Online forums lit up. Long-form grievances were written. People talked about it as a loss in a way that felt slightly outsized but also completely understandable, because lime had been there for forty years. Green apple tasted fine. It was just wrong.

Lime returned in 2021. The candy’s most dramatic decade was behind it.

Skittles logo with a colorful rainbow and the tagline 'Taste the Rainbow' against a blue sky background.

“Taste the Rainbow” Is Thirty Years Old and Still Isn’t Boring

The campaign launched in 1994 via DDB Chicago, and the slogan has run continuously ever since, which almost never happens in advertising. What’s kept it alive isn’t repetition, it’s the creative philosophy underneath it: pure, committed weirdness.

A package of Tropical Skittles candy featuring a colorful design with the word 'Skittles' prominently displayed. The package contains 250 calories and showcases various colorful candy pieces.

Skittles ads have featured a man growing a beard of Skittles he can’t control. A man whose touch turns everything, including people he loves, into Skittles, with increasingly bleak consequences.

A walrus. The tone has no equivalent in consumer goods. Nothing else sounds like it, looks like it, or is willing to go where it goes.

That consistency of strangeness is, counterintuitively, one of the most disciplined brand strategies in the business.

A colorful bag of Sour Skittles Gummies featuring a rainbow design. The front of the packaging highlights the product name and shows various gummy candies in vibrant colors.

Mars Buys the Rainbow

In 2008, Mars, Inc. acquired the Wm. Wrigley Jr. Company for roughly $23 billion. Skittles arrived in the deal along with Starburst and several other Wrigley properties.

Under Mars, the line expanded into the predictable directions. Tropical, Sour, Wild Berry, Darkside. All the while, the core product stayed essentially unchanged. When something works at the level Skittles works, you don’t get experimental with the base.

Skittles candy packaging featuring a gray background with white Skittles, and the phrase 'Only one Rainbow matters during Pride.'

The Year They Gave the Rainbow Away

In 2015, for Pride Month, Skittles released a limited run of all-white packs — every candy the same color, flavor unaffected. The tagline: During Pride, only one rainbow matters.

It was a remarkable move for a brand that has exactly one visual asset. They gave up the thing that makes them them. And that restraint made the campaign far more powerful than any amount of Pride-branded rainbow design would have. It’s been repeated and expanded every year since, and it holds up because it started from a genuinely good idea rather than just a good intention.

Images © Mars Inc.


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Author

Ben VanderVeen is the founder and editor of Moss & Fog, one of the web’s longest-running visual culture destinations. Since 2009, he’s been finding and framing the most beautiful, surprising, and thought-provoking work in art, architecture, design, and nature — reaching over 325,000 readers each month. He lives in Portland, Oregon.

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