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We have always been fascinated by Vollebak, making some of the most extreme (and sometimes absurd) clothing on the planet, but always pushing the boundaries of what’s possible.

Their latest project is the Garbage Sweater, salvaging retired firefighter suits and bulletproof vests from the landfill, and repurposing them into a very, very tough piece of clothing.

Made from meta-aramid and para-aramid, these extremely durable, fire-resistant fibers are still highly functional, even after their service. Made in France, the articles are repurposed by Vollebak, made into soft yet tough sweaters.

This limited line is meant to show how waste material can be remade, and bring attention to the huge amount of clothing is thrown away every year.

Like all of their products, the Garbage Sweater isn’t cheap, at $495, but is built like a tank, and guaranteed.

“Landfill can become a source of raw materials

Around 100 billion new pieces of clothing are made each year. And by 2050 that number is likely to double. At the same time we’re dumping over 150 tons of clothing in landfill every minute. So if we want to change that we need to start figuring out how to make new clothes from the ones we already have. While lots of the materials we work with start life in a cutting-edge lab or out in nature, the Garbage Sweater comes from a huge pile of trash.”

 

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Some really powerful images, article via CoolHunting:

In his exhibit of images from Nairobi entitled “Buried in Dandora”, photographerΒ Micah AlbertΒ explores the 30-acre wasteland located just 2.5 miles from the central business district. About one million people live by the vast Dandora dump site that literally spills into their homes and sickens children and adults with respiratory ailments, skin disorders and other fatal diseases. Sanitation problems increase exponentially with the growing population being literally buried in garbage but sadly, Kenya’s leadership shows alarming indifference to the plight of the people living in the slums of Dandora. Environmental laws, UN-commissioned health studies and calls for closure from human rights groups have largely been ignored.

 

Making the situation even more complicated is the cottage industry that has sprung up in Dandora. Street children live off salvaged items including food, candy and other things they find in the piles of waste. Thousands of people now make small amounts of money each day scrounging through the debris as they complete the back-breaking task of sorting waste for private companies.

When Albert learned about Dandora, he set off on a journey to tell the story of the people who live there, armed with a grant from theΒ Pulitzer Center on Crisis ReportingΒ to make the project possible. For the “Buried in Dandora” series, Albert documented the piles of waste amid poorly constructed homes, and the harrowing labor involved in picking through the trash. Among the hardship and tragedy captured in the images emerges a sense of joy reinforcing the resilience of the human spirit.

 

“My approach to photography over the years has been to work on undercover issues mostly in Africa and the Middle East,” says Albert. “I have always gone out of my way to travel to Yemen, Chad, Sudan and the Congo, to extremely difficult to access locations, to be a voice to the voiceless. Nairobi has been a hub for me for such a long time, I know it like the back of my hand, or so I thought. Then I found out about this dump site and learned that this is one of the biggest in Africa and that many people live and work in this place. I partnered up with David Conrad, a writer I met in 2008 when we were both covering the elections in Kenya. We simply wanted to tell the story of Dandora.”

 

Once they arrived back in Kenya, getting to Dandora was an odyssey. “It took three days of negotiating with the lead of the cartel that controls the dumpsite,” explains Albert. “It is one of the most dangerous places in Kenya. Slums surround the dumpsite. You can’t just show up. So, to get in there I needed to negotiate with this guy named Tiger who is the head of the cartel. Most taxi drivers won’t go there for fear of their own safety. We more or less had to hide in the back of the car to get into the slum area two hours before the sun came up. Security was a big deal. This place is off the grid. This is a place where bodies are dumped, where women are taken to be raped and where weapons are hidden. This is the place where all illegal activity happens. That is what I didn’t expect. I am used to going into dangerous places, but I didn’t except it to be that much of a security issue.”

 

So moved by the tragedy of Dandora, Albert gets emotional talking about some of the people he encountered there. “The kid doing a handstand, I had to take that shot,” he says. “I am a new dad. No matter what circumstances or how terrible life isβ€”kids will still be kids. I always try to show the positive, I don’t feel like there is enough of that in today’s news and media. The dumpsite at Dandora is a horrific place, but I really try to get to know people like I would get to know my neighbor. I don’t just start bombarding them with my camera. I try to get to know them as a person and once you do that you see ‘that guy is a dad too’, ‘that guy is a brother’, ‘that man is going to try to provide for his family’. There are a lot of points I can relate to.”

 

“Buried in Dandora” will be on view atΒ Apolis: Common GalleryΒ in downtown Los Angeles from 7-31 December. At the opening night reception, Albert will be joined by Pulitzer Center managing director Natalie Applewhite and Apolis co-founders Raan and Shea Parton. Albert is also an Apolis Advocate for the socially motivated lifestyle brand and contributes regularly to theirΒ Apolis Journal.

Via Treehugger:
Most of us are familiar with the bane of plastic water bottles and how they end up in our landfills and pollute our oceans. Collaborating for Spanish design company La Mediterranea, designers Alberto MartΓ­nez of CuldeSac, HΓ©ctor Serrano and Raky MartΓ­nez turned to traditional Spanish terracotta to find inspiration for this vessel which actually cools liquid down and yet is playfully shaped like a plastic water bottle.

 

Fashioned after the old Spanish “botijo” earthenware jug, MocoLocoΒ transcribesΒ La Siesta’s description:

The vessel is handmade in the traditional Spanish way. The special white terracotta made with salt from the region of Agast keeps the water cold even when the sun hits it.